Wednesday, June 26, 2013

Sarah's Key pages 74-146 Reading Questions

This week's discussion will focused on pages 74 - 146.  The questions from those pages are below and I encourage you to think about them either during or after reading and of course leave some comments or other questions for us!

Magpie


Do you see any problem with the Tezacs moving into the apartment vacated by the girls family? Knowing what happened 60+ years earlier, would you live in the remodeled apartment?

How does the apartment on la rue de Saintonge unite the past and present action—and all the characters—in Sarah’s Key? In what ways is the apartment a character all its own in?

Do you see any problem with the Tezacs moving into the apartment vacated by the girls family? Knowing what happened 60+ years earlier, would you live in the remodeled apartment?

Revealing family secrets can be very healing or very damaging. Do you think it would have been better if Julia left her family secret alone?  What is the difference between keeping a family secret and a country keeping its secrets/history quiet?

Did Mame remember what had happened?  Or was she becoming agitated because of the Dementia? 

By page 79 the girl begins to see what the reader sees, she has become someone else.  Why is it just now that she sees it?

On page 80 the girl describes the children following her like bedraggled sparrows.  Some folklore uses sparrows as an omen of death or the catcher of lost souls.  Do you think the author chose this bird specifically because of this?

What ways does the girl show a great deal of courage and strength while at the children’s camp? (p. 81 with haircut and staring at red head guard, p90 when caught)

On page 84 Julia comments on a space in the apartment as being a “good hiding place. If these walls could talk…”  But she says she didn’t need them to because she knew what happened here…..do you feel like the author is baiting you with a line like this?

de Rosnay’s novel is built around several “key” secrets which Julia will unearth. Discuss the element of mystery in these pages. What types of narrative devices did the author use to keep the keep the reader guessing?

Does de Rosnay make Bertrand so “French” so it is easier to dislike him?

When the girl and Rachel are caught do you think the guard would have let any other child go?  Do you think he let her go because he knew her or because she was so calm and mature, or because of his guilt?  If Julia could interview the man for her story what would he say?

On page 103 we see a hopeful Julia prepare to tell Bertrand about the baby.  As the reader are you as hopeful as Julia about his reaction or do you worry that she doesn’t know her husband all that well?

When you learn all of Bertrand’s reasons for not wanting the baby he says it won’t fit into “our” life.  Do you believe him or is it really more about him?

On pages 116 Julia learns the children who had been left behind were mixed with other adults as to not raise suspicion, but we learn on page 144 the locals could hear the “roaring” of the mothers being separated from their children.  Do you think the authorities plan worked?

On page 118 the girl finally gives her name “Sirka”, why now does the reader get her name?

Again, Sirka thinks of her brother while being cared from by Genevieve and believes he would be with her where she could care for him if she hadn’t hidden him.  As the reader are you as confident as she?

As Julia requests information from Monsieur Levy about the family in her apartment he is careful to reveal information to her as he feels protective of the people’s identity he has collected.  He reminds her that “Truth is harder than ignorance”.  Is he right?  Is Julia ready for everything that we as a reader already knows? (p124)

On page 132 Sirka tells Genevieve that her adult name is Sarah.  Why this change?

During the trip to Drancy the reader  learns again of two places where the events of the past are ignored, the train station and the actual camp.   Is de Rosnay using these events as a call to action for the reader?

While discussing the baby, Bertrand calls it a seed and not even a human yet.  Setting aside personal viewpoints on the point when life starts, is de Rosnay using the baby as a metaphor for how easily many people ignored the humanity of the Jews?

Genevieve and Jules have shown great kindness in caring for Sarah, does this give you hope for her as you continue to read?

Discuss how Sarah’s quest for her brother and Julia’s quest for the truth connect them and make them stronger.

At the end of page 146 Julia thinks about Sarah and what it was like walking for she and the other children to walk to their “solitary deaths”.  How does this make you feel?  Does it call to mind the likely death of Michael?

Wednesday, June 19, 2013

Sarah's Key pages 1-73 Reading Questions

One thing that I always ask my folks to try and do is read the assigned reading.  I know that can be hard to do, especially when reading fiction, but it helps to keep the discussions from going too long when you only have an hour.  This week's discussion will be focused on pages 1-73.  The questions from those pages are below and I encourage you to think about them either during or after reading and of course leave some comments or other questions for us!

Enjoy the reading and I look forward to hearing from you,
Magpie


Were you surprised by what you learned about Sarah’s history? Take a moment to discuss your individual expectations in reading Sarah’s Key. You may wish to ask the group for a show of hands. Who was satisfied by the end of the book? Who still wants to know—or read—more?

Do you believe the situation described in Sarah’s Key could ever occur in the United States? To your knowledge, has anything similar happened in the U.S.?

Do you think the Japanese Americans felt similar to “the girl” on page three when she says “Then we are safe, thought the girl.  If they are French, and not Germans, we are not in danger.  If they are French, they will not harm us.”

Can you recollect a time when you wanted to see you parent be brave, only to be disappointed in seeing them be fragile?  Or perhaps just that first time you clearly saw your parents as “real.”

When you are first introduced to Julia do you see any similarities between she and “the girl”?

What similarities or differences do you see between Zoe and “the girl”?

On page 9 “the girl” makes a promise to her brother, that as a reader, we are not as confident as “the girl” is in the possibility of her keeping it.  Was “the girl” naïve to make such a promise?

On page 13 “the girl” has revealed to her mother where her brother Michael has been hidden, and thinks, “The boy would be safe.  They would never find him. Never.”  As a reader how did this make you feel? 

Julia begins to describe her colleagues, Josh, Bamber, and Alessandra, and part of their description consists of their nationality.  Do you find it odd that Julia uses their nationality as part of their description, when she clearly doesn’t like being described by hers in a similar way?  Do you find it interesting the nationalities and how they match with the personalities and how she describes them; American, British, Italian?

The age of 10 and 11 are compared and contrasted with “the girl”, Zoe, and Julia each.  As a reader we’ve already been told that Zoe is “too mature for her age” (p5), and Julia had a “sheltered childhood” (p34).  How would you describe “the girl”? 

On page 40 “the girl” discusses how her parents had tried to protect her but ends with: “If they had told her, if they had told her everything they knew, wouldn’t that have made today easier?”  When looking at Zoe and her perception of things at the same age and her clear knowledge of who her parents are and what situations are around her do you agree with “the girl”?  Or do you think “the girl” was right to be kept as a child more like Julia?

As a reader are you concerned about Guillaume’s initial reaction that he doesn’t like the topic at dinner because he thinks it should be forgotten?  Are you surprised to his connection to the events at the Vel’dHiv?

On pages 45 and 46 “the girl” talks about what it must be like for Michael, but goes on to say it had to be better than where she was.  Do you agree with “the girl”?

Guillaume tells Julia on page 50 about the numbers the Gestapo requested but how the French wanted to deport the maximum number of Jews including the French children.  We you shocked at the reason they Gestapo didn’t want the children?  Why do you think the French police amended their orders?

As the family begins to make their way to the train “the girl” now is disappointed in her father as well.  Why did it take this second disappointment for her to realize that things weren’t going to be the same?  Why was this last thing the thing to make her realize she was “no longer a happy little ten-year-old girl”

Throughout the book, Julia discovers small plaques about
Rafle du Vel’ d’Hiv
, but the French citizens seem largely unaware of the story. How familiar were you with the “Roundup” in Paris, before reading Sarah’s Key? How familiar are you with memorials and historical plaques in your geographical area?

Can you blame the citizens of Paris for not knowing about the event when such a small sign is the only marker of the event having taken place?

When interviewing the “old woman” she said “We did not think anything bad was going on.  I remember someone said, ‘It’s the French police, no one will harm them.’ So we did not worry.”  Is it okay for a people to forget “the darkest days of their country”?

Were you glad to see one more last fight from “the girls” mother?  Do you think it was good for her to see that after having already thought her mother was broken?  Or was this the final break for her mother?

As of page 73 you still don’t know “the girls” name.  Why do you think the author make the choice to not give you her name yet?

Friday, June 14, 2013

Assignment #1: Sarah's Key

Today I'm giving you two blogs and who doesn't like two for one!  Next Tuesday is a big day for me and my book groups.  It is the first time in years that I'll be leading a summer discussion group, and even more terrifying, its the first time a few students will be joining the faculty and staff group.  This is one of those moments I've confessed to before, I'm nervous, and excited!  (See clip from Armageddon below, I totally get Owen Wilson here)

 
So here's the deal if you want to join us and follow along, please do.  We are reading Sarah's Key by Tatiana De Rosnay.  I actually read the book after a referral from a friend and was then excited that my students selected it this past fall as one of their selections.  When I noticed I had enough books left over I made the suggestion to my faculty and staff that we could read it this summer, and of course they were in. 

Sarah's Key is a great book that examines how two different women's lives intertwine in Paris, one in July 1942 the other in 2002.  This is one of those books that reminds me why I chose to study History in college but also fell into my second degree with English Literature.  I'm always drawn to stories from the Holocaust and how it touches so many lives both then, and now.  Some stories from our history aren't easy or comfortable to read, but I'm a big believer that it is important to learn about them.  They remind us how important it is to be kind to each other and not make the same mistakes again. (I'm stepping off my soapbox now.) 

So if you would like to join us, the reading assignment for the next four weeks is below.  I'd love to hear your feedback, questions, or comments for me or the group.

June 18         1 - 17
June 25      74 - 146
July 2        147 - 220
July 9        221 - 293

Magpie